Georgian Bolnisi inscriptionsAD. The origin of the Georgian script is poorly known, and no full agreement exists among Georgian and foreign scholars as to its date of creation, who designed the script, and the main influences on that process. The first version of the script attested is Asomtavruli which dates back at least to the 5th century; the other scripts were formed in the following centuries.
There are semi-scripted shows and fully scripted shows. In the first category are interviews, discussions, ad-lib programs, and many demonstration and variety shows. These scripts resemble a basic outline, with only the segments and basic times listed.
Although scripts for a semi-scripted show may be comparatively easy to write since there's very little to write! In a fully scripted show, the overall content, balance, pace, and timing can be figured out before the production starts so that surprises can be minimized.
Notice we didn't say eliminated. The Concrete-to-Abstract Continuum Documentary and hard news pieces should be reasonably concrete.
That is, they should present information clearly, minimizing the possibility for misunderstanding. A concrete news script is quite different in approach than a feature story, soft news piece, music video, or dramatic production.
In the latter cases, it's often desirable not to be too concrete -- in order to allow room for personal interpretation.
Let's look at two examples. An instructional video on the operation of a software program should be as explicit concrete as possible. Given the nature of writing action in scripts and computer programs information should be presented in a clear, step-by-step fashion.
Although you'll want to present the material in a creative, interesting and possibly even humorous way, the challenge is in having all audience members acquire the same clear idea of a specific sequence of operational procedures.
If most of the audience can successfully operate the program afterward, you're successful; if they can't, you're not. In contrast to this concrete type of production there are, for example, feature pieces on Jazzercise or new fashions. Given the fact that the audience has undoubtedly seen scores of television segments on fashion, the first challenge is to approach the segment in a fresh, creative, attention-getting way.
Because fashions appeal largely to the ego and emotions, we're less interested in communicating facts than in generating excitement, i.
Hold Their Interest In scripting content, a logical and linear sequence is the most natural approach, especially when information must be presented in a precise, step-by-step fashion.
In some types of productions, however, it's not desirable to use a structured, linear presentation. In fact, this can end up being a bit predictable and boring. But whatever the approach, be certain to present the materials in a way that will hold the attention and interest of your audience.
You can do this by: Because of this and the difficulty involved in making interviews interesting, they require special attention. Later, we'll talk about interviewing techniques. Even though "talking heads" can get boring, the credibility of an authority or the authenticity of the person directly involved in the story is generally better than a narrator presenting the same information.
However, except for rather intense and emotional subject matter, keep in mind that once you see what someone looks like during an interview, you will probably want to enhance interest and pace in your piece during the editing phase by cutting in B-roll related supplementary footage.
B-roll footage consists of shots of people, objects or places referred to in the basic interview footage -- the A-roll. At the same time, don't let the B-roll footage distract from what's being said.
In television, "A-rolls" and B-rolls" refer to rolls or reels of film or videotape. At the same time, other recording media have largely replaced both.
Whenever you plan an interview, also plan for supplemental, B-roll footage. Sometimes you won't know what this will be until after the interview suggests it, so you need to keep your production options open. In postproduction, you'll need to specify exact points in the interview the A-roll where the B-roll footage will go.
The only way to specify precise audio and video edit points is to use time-code numbers. Note the time-code numbers in the picture on the left. In this case, we read them as 0 hours, 1 minute, 16 seconds, and 12 frames.
We'll go into time codes more in the audio and video editing sections.Sep 17, · How to Write Movie Scripts. In this Article: Article Summary Sample Scripts Getting Started Writing the Script Formatting the Script Community Q&A The world of film is extremely competitive.
You may have the best movie idea of all time, but if your script isn’t formatted correctly, there’s a high chance it will never even get read. Teen Ink, a national teen magazine, book series, and website devoted entirely to teenage writing, art, photos and forums.
Students must be age to participate, register and/or submit work. 36 Questions for Increasing Closeness. To feel more connected, skip the small talk and ask these questions instead.
May 07, · Know the type of script you're writing. If your script is a comedy, make sure that other people think that it's funny. If you're writing a drama, make the dialogue dramatic and gripping. Make sure your script sounds good in 90%(92). Action sequences are the most difficult and least rewarding things a screenwriter writes, but they’re essential to many movies.
I’d direct your attention first to a scriptcast I recorded: Writing better action. Nothing wrong with Jane Austen, but I’m not so sure you’d want her writing the next big action flick. I mean, if she were alive. Whatever. Anyway, the action scenes in the script just didn’t do anything for me.
The words were just laying there on the page. They didn’t pop out in a visually exciting manner.